Sadly, 2017 was not a stellar year for film. Nonetheless
I’ve cobbled-together my list of the year’s best films,
here they are, unranked:
2018 Critics’
Choices:
BEST PICTURE The
Shape of Water
BEST ACTOR Gary Oldman –
Darkest Hour
BEST ACTRESS Frances McDormand –
Three Billboards Outside Ebbing,
Missouri
BEST SUPPORTING ACTOR Sam
Rockwell – Three Billboards Outside Ebbing,
Missouri
BEST SUPPORTING ACTRESS Allison
Janney – I, Tonya
BEST ANIMATED FEATURE
Coco
BEST ACTION MOVIE Wonder Woman
BEST COMEDY The Big Sick
BEST ACTOR
IN A COMEDY James Franco – The Disaster Artist
BEST ACTRESS IN A COMEDY Margot Robbie –
I, Tonya |
Handily six of the year’s finest
hours are Their Finest (a delightful comedy about a UK
propaganda film troupe during WWII), Dunkirk, and of
course Darkest Hours for which Gary Oldman (as Winston
Churchill) is certain to bring home a Critics’ Choice
Award.
When I finally got around to reading
A Catcher in the Rye at thirty-seven I found
protagonist Holden Caulfield callow and chesty. Which is
to say many coming-of-age tales don’t resonate with those
of us outside our so-called formative years but, hey, we can
recognize great performances like Saoirse Ronan as the
titular Lady Bird for which she’ll
probably bring home the gaudy crystal.
Speaking of coming-of-age, sort of,
Reese Witherspoon is wonderful in the
coming-of-middle-age comedy
Home Again.
The charming comedy, How to Be a
Latin Lover, was formulaic but a winner while
Pakistan-born comedian Kumail Nanjiani’s The Big Sick was
a critical success and as entertaining as they come
though
I don't expect either to get the recognition they
deserve.
In Wind River Jeremy Renner and
Elizabeth Olsen try to solve a murder on the eponymous
Wyoming Indian Reservation. It was surprisingly riveting and
a must-see on the large screen.
Frances McDormand, Woody Harrelson
and personal favorite Sam Rockwell don’t disappoint in
Three Billboards Outside Ebbing, Missouri where McDormand
hectors a small town sheriff to solve the murder of her
daughter.
If Gary Oldman is screwed this year
it’s only because of James Franco’s amazing performance
as The Room’s enigmatic writer/director Tommy Wiseau in
the The Disaster Artist.
If you like two-hanky films, bring a
box of Puffs to Wonder, which feels a lot like
Mask, but, you know, more
contemporary ... and without Cher.
I’m not sure how to categorize
I,
Tonya, the hysterical Tonya Harding
biopic, or if I even need to. Margot Robbie may earn a nod (or cry her way to
one) for her take on the train-wreck on ice but Allison Janney deserves one for playing Harding’s gruff
stage-mom.
I’ll put anything with Denzel
Washington on a best list. He’s truly an American
treasure and I honestly believe he could have saved
Battlefield Earth. (Too far?) This year he was
Roman J.
Israel, Esq., a vintage “cause” lawyer.
FWIW: Some parallels to
Ben Affleck’s The Accountant.